collage cut drawings by winnie truong. graphic design by vicky lee.

HOW DO WE (SPEAK) LIKE A PALACE

a sound, visual art, and dance-theatre performance project that aims to facilitate a multi-sensory inquiry into the sounds, sights, and felt sense of aphasia and similar forms of language dysfluency.

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2027
THE NANCY & ED JACKMAN PERFORMANCE CENTRE

SPEAK, MEMORY!

an ongoing series of ceramic tablets and sound work that considers language disfluency, rituals of remembering, and time.

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2027
location tbc

2024
CLARK CENTRE FOR THE ARTS

DRAWING A BLANK

a dual-installation aiming to address voicelessness in the forms of delayed language recall, family matters, resistance to aggression and violence, and the current moment of extreme censorship and self-censorship.

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2025
OPEN STUDIO

26 OR LESS

an interactive sound and video lab exploring the possibilities of trouble with word-finding.

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2024
CHARLES STREET VIDEO RESIDENCY

SOUNDING SPEEDBUMPS

a soundscape series co-created with the brain injury community of toronto. together, we tended to the question, what does my brain injury sound like?

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2024
A SITUATED NEUROLOGY RESIDENCY

remember to forget (II), 2011 © susan hiller

REMEMBER TO FORGET

an online research project doubling as a public call for submission that asks, what does memory sound like?

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2020-2023
ONLINE

BALAENA

set in summer years, this solo ceramics exhibition is a gentle inquiry into wayward forms of body movement that maintain an inward sense of stability.

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2017
LITTLE SISTER GALLERY

20

a video art experiment on the visual data packed within my cranial CT scans.

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2024
CHARLES STREET VIDEO

2016
TORONTO GENERAL HOSPITAL

SCORE

a solo ceramics exhibition paralleling definitions of score to a bodymind healing from brain injury and harm.

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2015
MON TON WINDOW GALLERY

A TICKET ON THE 4

a theatre production exploring chance and choice at the horse racetrack.

2014
ALUNA THEATRE